ASCAP telling untruths about Creative Commons, Public Knowledge and the EFF

Lawrence Lessig has posted an article in response to ASCAP’s scurrilous attack on the Creative Commons and other similar, new copyright companies.

The American Society of Composers, Authors and Publishers (ASCAP) has launched a campaign to raise money from its members to hire lobbyists to protect them against the dangers of “Copyleft.” Groups such as Creative Commons, Public Knowledge, and the Electronic Frontier Foundation are “mobilizing,” ASCAP describes in a letter to its members, “to promote ‘Copyleft’ in order to undermine our ‘Copyright.’” “[O]ur opponents are influencing Congress against the interests of music creators,” ASCAP warns. Indeed, as the letter ominously predicts, this is ASCAP’s “biggest challenge ever.” (Historians of BMI might be a bit surprised about that claim in particular.)

As a founding board member of two of those three organizations, and former board member of the third, I guess I should be proud that a 96 year old organization would be so terrified of our work. And I would be — if there were anything in this fundraising pitch that was actually true.

But there is not. Creative Commons, Public Knowledge and EFF are not aiming to “undermine” copyright; they are not spreading the word that “music should be free”; and there is certainly not yet any rally within Congress in favor of any of the issues that these groups do push.

I know Creative Commons best, so let me address ASCAP’s charges as they apply to it.

Read the Lessig article here.

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