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	<title>Comments on: how killing the cd single killed the recording industry&#8230;</title>
	<atom:link href="http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/feed" rel="self" type="application/rss+xml" />
	<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry</link>
	<description>music . media . web. culture</description>
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		<title>By: The End of The Music Album as The Organizing Principle &#124; pampelmoose Dave Allen of Gang of Four's Music and Media Blog</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-135992</link>
		<dc:creator>The End of The Music Album as The Organizing Principle &#124; pampelmoose Dave Allen of Gang of Four's Music and Media Blog</dc:creator>
		<pubDate>Fri, 03 Apr 2009 03:55:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-135992</guid>
		<description>[...] - Top 5 Reasons Why Vinyl Will Outlive CDs David Byrne Tells The Record Labels to Embrace The MP3 How Killing the CD Single Killed the Recording Industry How Bands Can Make More Money By Not Pricing Their Merchandize at [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8211; Top 5 Reasons Why Vinyl Will Outlive CDs David Byrne Tells The Record Labels to Embrace The MP3 How Killing the CD Single Killed the Recording Industry How Bands Can Make More Money By Not Pricing Their Merchandize at [...]</p>
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		<title>By: C</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-42934</link>
		<dc:creator>C</dc:creator>
		<pubDate>Tue, 30 Oct 2007 16:22:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-42934</guid>
		<description>Dave, mainstream music is jinxed because its both a form and content problem.  They are completely baffled by the internet, and as the London Times article astutely points out the promoted content is &quot;forlorn&quot;.

What&#039;s happening is kids are downloading as fast as the tubes will allow, and discovering all kinds of new things all by themselves.  They like power and the experience is empowering. Bands which can tour and bands which can build a local following will be successful, but as small businesses, and not sprawling corporate monsters.  A few corporate monsters will persist until their moronic fans die off, but corporate execs who try to route kids back to corporate mindsuck don&#039;t get it and are burning shareholder dollars. It&#039;s a broken financial model. 

It&#039;s the sound of freedom, man.  The music industry is dead.  Long live music.</description>
		<content:encoded><![CDATA[<p>Dave, mainstream music is jinxed because its both a form and content problem.  They are completely baffled by the internet, and as the London Times article astutely points out the promoted content is &#8220;forlorn&#8221;.</p>
<p>What&#8217;s happening is kids are downloading as fast as the tubes will allow, and discovering all kinds of new things all by themselves.  They like power and the experience is empowering. Bands which can tour and bands which can build a local following will be successful, but as small businesses, and not sprawling corporate monsters.  A few corporate monsters will persist until their moronic fans die off, but corporate execs who try to route kids back to corporate mindsuck don&#8217;t get it and are burning shareholder dollars. It&#8217;s a broken financial model. </p>
<p>It&#8217;s the sound of freedom, man.  The music industry is dead.  Long live music.</p>
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		<title>By: Justin</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-39948</link>
		<dc:creator>Justin</dc:creator>
		<pubDate>Fri, 12 Oct 2007 18:25:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-39948</guid>
		<description>Where will the money go? Who will be the gatekeeper? How will new musicians find their audience?

Marketing, Marketing, Marketing. Music marketing companies (which include the major labels) are going to find themselves on the front lines, clearing the way for bands that pay top dollar. Maybe advertisers will begin demanding a percentage of album sales. Marketing deals might replace record deals. 

What gets played on the radio? At starbucks? Your gym? Who gets written about in Filter and on CMJ and Rolling stone, played on mtv? Bands who have the best-connected managers, publicists, and advertising agreements working for them.</description>
		<content:encoded><![CDATA[<p>Where will the money go? Who will be the gatekeeper? How will new musicians find their audience?</p>
<p>Marketing, Marketing, Marketing. Music marketing companies (which include the major labels) are going to find themselves on the front lines, clearing the way for bands that pay top dollar. Maybe advertisers will begin demanding a percentage of album sales. Marketing deals might replace record deals. </p>
<p>What gets played on the radio? At starbucks? Your gym? Who gets written about in Filter and on CMJ and Rolling stone, played on mtv? Bands who have the best-connected managers, publicists, and advertising agreements working for them.</p>
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		<title>By: ned failing</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-39937</link>
		<dc:creator>ned failing</dc:creator>
		<pubDate>Fri, 12 Oct 2007 16:15:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-39937</guid>
		<description>I think the more important question is not how people will access music but rather who will be the filter or gatekeeper. Labels, for better or worse, often decided who made it on to the radio..or who played Saturday Night Live. Right now I see MySpace and iTunes wielding a tiny bit of that filter power.</description>
		<content:encoded><![CDATA[<p>I think the more important question is not how people will access music but rather who will be the filter or gatekeeper. Labels, for better or worse, often decided who made it on to the radio..or who played Saturday Night Live. Right now I see MySpace and iTunes wielding a tiny bit of that filter power.</p>
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		<title>By: Justin Kistner</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-39912</link>
		<dc:creator>Justin Kistner</dc:creator>
		<pubDate>Fri, 12 Oct 2007 07:05:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-39912</guid>
		<description>Fuck an A, Dave. This is a helluva post. It&#039;s densely packed with research from a variety of sources that span the globe. You never cease to impress me with your finger on the pulse of the music industry. It&#039;s no wonder that JoshK is ready for this chaotic rollercoaster to end. I agree with you that access to music breeds sales. Radio, as you&#039;ve pointed out, has long been free to the consumer as a source for music that has inspired purchasing (kind of ironic that Radiohead is the subject that sparked this post :)

So where will the money go? I think the problem is perceived value and access. If people could hear a song for free on the radio and then push a button on their iPhone to buy more songs, they would. I think it is a matter of reducing barriers to the purchase process, especially on mobile devices, that will lead to more buying. Matt wrote a great post about &lt;a href=&quot;http://www.mattking.org/2007-09/the-future-of-music-its-mobile.html&quot; rel=&quot;nofollow&quot;&gt;the future of music being mobile&lt;/a&gt;.</description>
		<content:encoded><![CDATA[<p>Fuck an A, Dave. This is a helluva post. It&#8217;s densely packed with research from a variety of sources that span the globe. You never cease to impress me with your finger on the pulse of the music industry. It&#8217;s no wonder that JoshK is ready for this chaotic rollercoaster to end. I agree with you that access to music breeds sales. Radio, as you&#8217;ve pointed out, has long been free to the consumer as a source for music that has inspired purchasing (kind of ironic that Radiohead is the subject that sparked this post :)</p>
<p>So where will the money go? I think the problem is perceived value and access. If people could hear a song for free on the radio and then push a button on their iPhone to buy more songs, they would. I think it is a matter of reducing barriers to the purchase process, especially on mobile devices, that will lead to more buying. Matt wrote a great post about <a href="http://www.mattking.org/2007-09/the-future-of-music-its-mobile.html" rel="nofollow">the future of music being mobile</a>.</p>
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		<title>By: Ned Failing</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-39893</link>
		<dc:creator>Ned Failing</dc:creator>
		<pubDate>Fri, 12 Oct 2007 04:17:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-39893</guid>
		<description>I keep wondering how all this Radiohead/NIN/Madonna news will translate to up-and-coming bands.  As the major label&#039;s lose their cash cow acts and the interweb becomes saturated with artists posting free MP3&#039;s; how do musicians effectively find their audience? Furthermore how do emerging musicians make money given these new trends? Touring and merchandise only get a new band so far. God forbid if you&#039;re a band that has more than five members or a group that has created a body of music that has high production value which doesn&#039;t translate to some basement bar with one monitor mix. 

So as Josh said we&#039;re all ready to move on..but move on to what?</description>
		<content:encoded><![CDATA[<p>I keep wondering how all this Radiohead/NIN/Madonna news will translate to up-and-coming bands.  As the major label&#8217;s lose their cash cow acts and the interweb becomes saturated with artists posting free MP3&#8217;s; how do musicians effectively find their audience? Furthermore how do emerging musicians make money given these new trends? Touring and merchandise only get a new band so far. God forbid if you&#8217;re a band that has more than five members or a group that has created a body of music that has high production value which doesn&#8217;t translate to some basement bar with one monitor mix. </p>
<p>So as Josh said we&#8217;re all ready to move on..but move on to what?</p>
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		<title>By: joshk</title>
		<link>http://www.pampelmoose.com/2007/10/how-killing-the-cd-single-killed-the-recording-industry/comment-page-1#comment-39883</link>
		<dc:creator>joshk</dc:creator>
		<pubDate>Fri, 12 Oct 2007 01:58:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.pampelmoose.com/mspeaks/?p=1071#comment-39883</guid>
		<description>when will the killing...and the death...and the decline...end so we can move on?</description>
		<content:encoded><![CDATA[<p>when will the killing&#8230;and the death&#8230;and the decline&#8230;end so we can move on?</p>
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